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Himantoglossum adriaticum - Adriatic Tongue Orchid (85 x 85 cm) - Christina Felicitas Teibert - 2021
Himantoglossum adriaticum - Adriatic Tongue Orchid (85 x 85 cm) - Christina Felicitas Teibert - 2021
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€2.890,00 EUR
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€2.890,00 EUR
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The Adriatic Riemenzunge is one of the 26 painted orchid images from my project "The Orchids of the Danube-Auen National Park," which I worked on from autumn 2020 to autumn 2023.
As one of the first major works and the only square painting of this nature conservation art project, Himantoglossum adriaticum was created in 2021. The vibrant colors in bold shades of yellow, violet, and white are a true eye-catcher that draws the attention of viewers in a room.
Due to the size of the painting, it is excellently suited as the main picture in a room, making it cheerful and elegantly designed and enlivened.
The length and width of the artwork are 85 cm. The sealed acrylic painting is stretched over a custom-cut stretcher frame (thickness approximately 1.8 cm) available at art supply stores.
I am increasingly using more eco-friendly paints and materials.
I frame, pre-prime, and prime many of my works myself, like the present piece. In doing so, I skip the intermediate step of sanding the canvases, which has the effect that the painting cannot be forged in fact, as the tiny little elevations of the fabric structure of the canvas cannot be replicated. For me, these represent an artistic fingerprint! In the everyday viewing of the painting, these small elevations do not stand out disturbingly.
As one of the first major works and the only square painting of this nature conservation art project, Himantoglossum adriaticum was created in 2021. The vibrant colors in bold shades of yellow, violet, and white are a true eye-catcher that draws the attention of viewers in a room.
Due to the size of the painting, it is excellently suited as the main picture in a room, making it cheerful and elegantly designed and enlivened.
The length and width of the artwork are 85 cm. The sealed acrylic painting is stretched over a custom-cut stretcher frame (thickness approximately 1.8 cm) available at art supply stores.
I am increasingly using more eco-friendly paints and materials.
I frame, pre-prime, and prime many of my works myself, like the present piece. In doing so, I skip the intermediate step of sanding the canvases, which has the effect that the painting cannot be forged in fact, as the tiny little elevations of the fabric structure of the canvas cannot be replicated. For me, these represent an artistic fingerprint! In the everyday viewing of the painting, these small elevations do not stand out disturbingly.
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